Roberto = José Cura
Anna = Fiorenza Cedolins
Guglielmo Wulf = Gabriele Viviani
Riccardo Frizza, conductor
Drammaturgia visuale - Emanuele Genuizzi
Le Villi
Opera-ballo in due atti di Ferdinando Fontana,
musica di Giacomo Puccini.
In forma semiscenica
Teatro Carlo Felice
Spettacoli correlati:
L'opera è preceduta dalla Sinfonia n. 1 in re minore op. 75 di Martucci
Direttore Riccardo Frizza
Prima: mercoledì 7 marzo 2007, 20.30 (A)
mercoledì 7 marzo 2007, 20.30 (A)Repliche: venerdì 9 marzo, 20.30 (B)
venerdì 9 marzo, 20.30 (B)domenica 11 marzo, 15.30 (C)
This was a strange day, check-out from hotel, and having to get a train after the opera. But this was the best performance, I doubt the 2007-03-07 performance was better (I was not there, but Rai Radio was there and it was transmitted on radio).
What was the difference: No glasses for Jose Cura this time. He was FREE and could really ACT out as Roberto which also meant that Fiorenza Cedolins would be able to react as the fine actress she is. Gabriele Viviani was still a bit wooden but as the old Babbo Guglielmo it was easily forgiven, his voice was all that matters, but there is only so much to do when it is a concert and your part is really small.
Teatro Carlo Felice is really a fine theater but all the same I was sitting too close to people who do not understand that chatting is not permitted during an opera or concert. It did not completely destroy my opera evenings, but it did not make me happy. And these was not young people who did not no better... Inexcusable.
Anyway, Fiorenza Cedolins was not lucky when she sang a wonderful "Se come voi" because the orchestra glitched, and that was the only fault in this performance, think, during her big aria. But she had the luck of Jose Cura completely in his role as Roberto. How he touched her face when he said he wanted a smile, touching. The duet was really wonderful. And the prayer in the end of act 1 was also wonderfully executed. The aria of Guglielmo Wolf in act 2 is not easy to get, I guess you really need a stage for that one. Jose Cura was incredible in Roberto's long aria in act 2. And the final duet Cedolins/Cura was great.
Not strange that the applause lasted a bit over 10 minutes.
This page was last updated: June 20, 2022
