So there I was, in El Vendrell, to see IL TROVATORE in the tiny Plaza Vella.
Michelle Francis Cook, a soprano destined to sing big roles in the big stages of the world (my opinion), sang Leonora with aplomb and delicacy. Sergi Gimenez never lost his way even when the orchestra sounded truly lost in Verdi's masterpiece. I loved his acting, but as he is the nephew of Josep Carreras he (and I) can never escape the memory of Carreras' voice. Fernando Alvarez was a strong, commanding Conte di Luna.
Of the main singers, Montserrat Carreras as Azucena was the one to suffer most from the lack of sync between the orchestra and stage. She had to do with what she had and what she had was the support of the other singers. Sergi was a great support!!
The chorus did an admirable job. I believe the cut in the score was not helpful. One had to take leaps of logic or know Trovatore well to understand it. It also made it harder for the orchestra to follow the score and the singers. Maestro Joan Toldra's tendency to go slow did not help. The orchestra also lacked some of the instruments needed to really make the music swing.
In many ways I could hear the complexity of Giuseppe Verdi's score and to suffer when it became to much to achieve in this night in lovely El Vendrell. But what can one expect after just one real rehearsal. To perfectly understand the musicality and the story of Il Trovatore much rehearsal is needed. But with their limited resources it was admirably done.
Count of Luna = Fernando Alvarez
Leonora = Michelle-Marie Francis Cook
Manrico = Sergi Giménez Carreras
Azucena = Montserrat Carreras
Joan Toldra, conductor
Orquesta Musica Viva y la Coral Polifònica del Vendrell.
Acompanyado de la escuela de baile, La Factoria
This page was last updated: June 20, 2022
This page was last updated: June 20, 2022
