Lucrezia Borgia = Elena Mosuc
Gennaro = Celso Albelo
Alfonso I d´este = Marko Mimica*
Maffio Orsini = Teresa Iervolino*
Don Aposto Gazella = Jose Manuel Díaz 
Ascanio Petrucci = Zoltan Nagy
Ascanio Petrucci = Zoltan NagyOloferno Vitellozzo = Manuel de Diego
Rustighello = Mikeldi Atxalandabaso
Gubetta = Fernando Latorre
Astolfo = German Olvera*
Jeppo Liverotto = Jesús Álvarez*
José Miguel Pérez Sierra, conductorEuskadiko Orkestra Sinfonikoa
Coro de Ópera de Bilbao
Scene Director - Franceso Bellotto
Scenography - Angelo Sala*
Costumes - Cristina Aceti*
Choreography - Martín Ruis*
Light - Fabio Rossi*
Director of the Chorus - Boris Dujin Production - Torino, Bergamo and Sassari theaters *Debuting at ABAO-OLBEI have started to love Donizetti operas very much. In Bilbao I saw the most perfect Lucrezia Borgia. The production was amazing. The cast was splendid. Elena Mosuc was the most perfect Lucrezia Borgia. Celso Albelo was also stupendous. Marko Mimica was such a great Alfonso.
As Maffio Orsino we heard and saw Teresa Iervolino. Unfortunately her voice which was a lovely mezzo soprano voice was not penetrating the wall of male voices. Elena Mosuc voice would ring through the whole chorus. Teresa Iervolino did not had that power, but I might be wrong after all I was sitting in front row where one sees well but hears maybe not that well.
Another tenor to enjoy besides the Celso Albelo was the wonderful, thrilling tenor voice of Mikeldi Atxalandabaso as Rustighello. A wonderful find!!!
I loved the production so much. It felt historical and real.
Scene Director - Franceso Bellotto
Scenography - Angelo Sala*
Costumes - Cristina Aceti*
Choreography - Martín Ruis*
Light - Fabio Rossi*
The regie was right, the costumes and scenography was wonderful and singers and chorus alike was acting so it felt real. I even, after a while, liked the choreography by Martin Ruis. The orcs, I mean soldiers of Alfonso was allright. The woman and boy as Lucrezia and young Gennaro worked in the opera even as I do no generally enjoy ballet in opera. The main thing is that it worked and added a dimension that was emotional and after a while felt real. Lucrezia and Gennaro remembers and feels those two and see them in their inner eye. It meant that no longer is there an incestuos meeting but a mother and son that meets. The mother wants her son. The son wants his mother. Alfonso loves Lucrezia and he thinks Gennaro is a rival. In this production Alfonso is ashamed when he finds out that he was gloating over a mother's loss of her child. Wonderful production even if Lucrezia is still poisoning people here she is a mother under all her actions.
I have seen on video the Lucrezia Borgia from La Scala with Mariella Devia, Marcelo Alvarez and Michele Pertusi with Daniela Barcellona as Orsino and I thought nothing could be better than that. This experience in Bilbao was brilliant and at least on par with La Scala but also better. Elena Mosuc, what a voice and her acting was so brilliant. A beautiful voice and not only that every note was enjoyment for the listener and deeply acting not only through her body but voice too. Celso Albelo won me over. A robust voice even in the higher register. He sang ‘T´amo qual s´ama un angelo’. It was so touching. There was changes in the score from La Scala to Bilbao. Equally beautiful but musically I liked the score from La Scala better. Marko Mimica was a stunning, young Alfonso with his Lucrezia. So young and powerful. His voice rang out.
Chorus and orchestra was great under the hands of José Miguel Pérez Sierra.
And so it ended "Era desso figlio mio". Era dessa Lucrezia Borgia!!!! Brava, Elena Mosuc!! Bravo, Celso Albelo! Bravo, Marko Mimica! Bravissimi!
THE END.
This page was last updated: June 20, 2022
